![]() Moving between the real and imagined, Renee’s work brings together microscopic and telescopic viewpoints she positions hybrid floral/faunal forms within a space that simultaneously evokes the deep sea and the cosmos. Through painting, she explores the worlds of tiny cells, flowering botanicals, aquatic species, and celestial bodies. Renee creates detailed visual environments that consider the complex relationships between humans, nature, and the cosmos. Renee Robbins is a Chicago-based visual artist who focuses on depicting micro to macro relationships. You can see Robbins and her team in action, painting the mural, from July to August 2017 with a mural reveal date to be announced toward the end of August. The painting considers the past, present, and future of our local ecology and offers a kaleidoscope of biodiversity. Many of the shapes and patterns are inspired by local aquatic species that inhabit the unique ecosystem around Chicago’s Morgan Shoal, a geological area containing the remnants of a reef and also the site of the 1914 Silver Spray shipwreck-a former passenger vessel, which is the same length as the mural walls. In a similar way to the South Wall, the scale of the composition moves from small to large as pedestrians walk through the underpass toward the lake. The parade of images on the North Wall envisions the world underneath Lake Michigan just out of reach. Forms in the work can be viewed as multiple things, giving a sense of the familiar but also creating mystery though abstraction. At the end of the centrally placed forest image, the composition zooms out to the cosmos with a large circular shape set amidst the celestial whirlpool. Weaving in and out of the composition are trails of different species of fireflies, all flirting for attention in a dazzling spectacle. The scale increases with patterns derived from diatoms and microscopic images of butterfly wings. It begins with neutrinos or subatomic particles and then layers molecular diagrams of the colors Cadmium Red, Cadmium Yellow, and Ultramarine Blue. The South Wall composition moves from micro to macro as pedestrians travel from west to east through the underpass. ![]() The artist’s layering of numerous extraordinary worlds-often hidden from view-encourages viewers to take a closer look at their surroundings. Robbins’ use of wave patterns mimics those present in water, light, and planetary motion. ![]() Design motifs were inspired by spirals, which repeat in different natural systems, including DNA helixes, flower structures, hurricanes, and galaxies. The composition’s sense of movement draws from cycles in nature, such as growth and decay, changing seasons, and rising and receding tides. Themes include the symbiotic relationships between species as well as camouflage behaviors inform the design. Inspiration for this site-specific work involved research on the local ecology. ![]() Responding to biodiversity, her art suggests our place within the natural world while creating a sense of wonder for all living things. By creating associations between things that are seemingly disparate, such as plankton and stars, Robbins’ work sparks a curiosity about the universe. Moving between the real and imagined, Robbins’ work brings together microscopic and telescopic views she positions hybrid floral and faunal forms within a space that simultaneously evokes the deep sea and the cosmos. It’s supported through the generosity of Fullerton Mural 元C and residents of Chicago’s Lincoln Park neighborhood. The project, titled A Kaleidoscope of Hidden Worlds, considers the complex relationships between humans, nature, and the cosmos. In collaboration with the Chicago Public Art Group, Chicago-based artist Renee Robbins transformed the pedestrian underpass at Fullerton and Lake Shore Drive with two monumental murals, each 14 feet tall x 110 feet long. ![]()
0 Comments
Leave a Reply. |